Showing posts with label deborah frances-white. Show all posts
Showing posts with label deborah frances-white. Show all posts

Wednesday, 19 August 2015

Semi-Final Destination


So I mentioned last week that an over-running gig at the Edinburgh Fringe had resulted in a slight injury for the Ocelot. Here's the full sorry story:

I'm at the Blind Poet pub with Mr CJ Hooper to see the highly entertaining Deborah Frances-White perform her Friend of a Friend of Dorothy gig. As long-time readers will be aware, the Ocelot's Fringe timetable is a thing of intricate precision and beauty, cramming the maximum amount of shows into every day. This sort of thing takes - in the words of Jack Burton - crackerjack timing, with just enough time in between shows for me to get from venue A to venue B. On this occasion I have 30 minutes from the end of this show to start of the next - The Lost Hancocks - across town in the Assembly Rooms, which is just about enough time.

So when her show gets to the 1 hour mark and she's still talking, I start to get nervous. When it's 5 minutes over and she's halfway through a Jehovah's Witness story, I really start to panic. But when you're sat in a brightly lit pub bar with the performer between you and the exit, there ain't no way you can leave without looking like a grade A tool. So I sits and I panics.

Suddenly she stops and asks the time. She gasps in shock. Evidently the clock behind the bar, which she's been using to time her show, is woefully slow. Hence the padding out of her set with the JW material. She is both apologetic and understandably annoyed, as she really wants to get to the end of her story. So she she goes on for another 5 minutes.

I am now 10 minutes late. I bid goodbye to CJ and bolt from the pub, jogging down to the main road phoning Herself to explain the delay and simultaneously scanning the street for an available taxi.

Nada, they're all occupied. I reach the main road, still jogging. About 18 minutes to get across town. I could probably do it if I ran all the way, but Edinburgh is not the flattest of cities, and August not the quietest of months. The streets between me and my destination are thick with Fringe-going crowds and tourists.

Still looking for a taxi, I trot over to a traffic island near the Pleasance Dome off Potterrow, looking over one shoulder. My feet don't get the message from my brain to keep going in one direction and I stumble. One, two three breakneck steps, with my body lurching further toward the horizontal with every tottering footfall. And then I hit pavement.

I strike hands first, so my fall is more or less broken, but it's a jarring impact on my palms all the same. I tumble to the ground on one shoulder like a drunken judo fighter and then roll up onto my feet almost immediately, even as thoughtful flyerers and passerby rush to my aid. I attribute my speedy recovery as much to the power of embarrassment as my cat-like reflexes.

Staggering on, and finally getting a taxi, I have time to examine my wounds: two grazed palms, a worrying ache in the wrists and - as I later discover - a snapped bracelet. I was probably quite lucky to have avoided more serious woundage. All thanks to a slow clock. And my inability to keep one foot in front of the other.

That sorry incident put me in mind of another story, not so very long ago, in which the law of unforeseen consequences also struck, with moderately unpleasant results for the Ocelot. Such incidents are leading me to suspect that the universe is doing its best to slightly maim me through an increasingly Byzantine series of unfortunate events. It's a bit like the Final Destination films, but with Horrific Death replaced by Minor Disfigurement And Inconvenience. I call this story

The Curse of the Pox Mother

Warning - this story contains unpleasant bodily humours

I notice a tiny lump on my head, possibly an insect bite picked up while visiting Birmingham. This is by no means an indictment of that redoubtable city's track record on pest control. I am certainly not suggesting that the delightful B&B in which I overnighted was host to Bloodsucking Head Bugs. Oh no.

The tiny lump gets scratched. I admit it. I'm a scratcher. It gets infected, I guess, and gets a bit bigger and doesn't go away. After 5 days I am persuaded by Herself to get down to the doctors' and get it checked out. Those of you familiar with the 'start phoning at 8am and keep redialling for the next hour until you get through' style of GP booking protocols will appreciate the funtimes I had that Friday morning.

But I get through eventually, and by using the magic words 'urgent' and 'infection', I manage to get in to see someone that morning. One of the prescribing nurses, as it happens, which is to say a nurse who can deal with minor cuts and bruises and who can prescribe medications of the painkilling and anti-infectional variety. Just what I need.

I get to the GP clinic and sit down in the waiting room. 5 minutes to go for my appointment. So why are there so many people ahead of me?

The answer becomes clear when a woman emerges from the consulting room, child in one arm, phone in the other hand. Thanks to her stage whispered conversation with - I presume - her mate, it is apparent that she is unhappy with the service she is receiving from the prescribing nurse. Something to do with 'not getting a letter'.

She paces up and down the corridor in obvious annoyance. Then she turns and I get a good look at her child's face. He's covered in chicken pox. Not late-stage crusty chicken pox, no. The early very-infectious little red spots sort of chicken pox. Thanks for bringing your poxy kid in for the rest of us to enjoy, lady.

A doctor is called in to mollify the Pox Mother, who we can hear raising her voice from within the consulting room once more. Eventually, after some 20 minutes of haranguing, she leaves, red-faced and irritable, not unlike her child. I am then called in to see the nurse.

Of course, health care professionals are supposed to be, well, professional, but she is clearly rattled. Being the sort of Friend To All Mankind that you know the Ocelot to be, I make sympathetic noises and surmise from the nurse that the Pox Mother was trying to secure a letter of transit for the child to board a plane (not unlike the plot of Casablanca), despite being highly chicken poxy. By all accounts she became verbally abusive to the nurse and left the good woman in something of a distracted state.

Just how distracted I would not appreciate until many days later.

So she has a quick look at my bonce, writes a prescription for antibiotics and sends me on my way. Our entire appointment has probably taken but 3 minutes, 2 minutes of which were taken up with me sort of apologising for the behaviour of the Pox Mother who preceded me, because I am British and that is what we do.

I gets me antibiotics and I starts taking 'em, confident that the nasty infection will soon go away, as such things do.

A few days later I am in the hairdressers, getting a very expensive hair colouring treatment from a nice young man with a tiny tattoo of a pair of styling tongs behind one ear. This detail is by no means important but it is a lovely little touch to my real life tale. In retrospect, I probably should have cancelled the hair appointment and avoided exposing my aggrieved scalp to a chemical bath of ammonia and chromonite (I made that one up), but I was well into my antibiotics course now; surely the infection was clearing up?

Only it wasn't. It was getting worse. By now the lump had swollen up under my hair like a tiny volcano, oozing and aching as it stretched the skin. It wasn't getting better, and I was beginning to worry. But not enough to actually go back to the doctor's because I didn't want to make a fuss (see 'being British' above).

Eventually it is 2 weeks after the initial Birmingham Bug Bite and Mount Ocelot is still growing. Not only that, but we are now driving to the lovely Shropshire town of Ludlow for a week away with the parents. The weight of the lump on my head is probably causing my head to loll on one side; it feels like I could be claiming child benefit for it.

Fortunately, where my head is addled with ooze and Britishness, Herself's is clear with take-chargeness and peculiar ability to get things done on behalf of someone else who is too sheepish to sort themselves out. Using the Power of the 21st Century, she uses her smartphone to locate the nearest minor injures unit to our holiday destination, and directs me there as soon as we have decamped the parents at the holiday home.

There, on a quiet Saturday evening, we find the hospital practically deserted apart from ourselves and a couple of lovely ladies of the nursing variety. I go straight in and plop down in an amazing reclining chair that is - wonder of wonders - actually made for an adult over 5'6", unlike the local dentist's chair, which is permanently configured for the more compact patron. How my back aches after a long scrape of me molars.

But I digress. The nurses take a look at Mount Ocelot and proclaim that it is not infected, but full of pus. A very large amount, as it transpires. It is the source of my discomfort and needs to be dealt with promptly. At which point the senior nurse places the palms of her hands on either side of my scalp and gives me a good squeeze.

I would like to say that at this point there is an audible pop and we are all showered with vileness, like Humpty Dumpty cracking his head, but in reality I at least am spared the horrors of the squeezing. The nurses, professionals that they are, do not blanch at whatever John Hurt in Aliens imagery that confronts them a few inches above my eyes. Doubtless they've seen worse on a Saturday night.

I am sent away with a small bandage clamped to my wounded scalp and reassurances that it has all been cleaned out now and will start to heal properly from now on. But all is not 100% well. There have been casualties in this sorry tale, to wit: a small fistful of hair, about the size of an old 50p piece which perforce had to be wrenched out by the nurse in the squozing process. I am left with a bald patch and must now artfully sweep my remaining locks over the bare expanse like a young Bobby Charlton attempting his first combover.

This follicular folly would not have been necessary if the first nurse I went to hadn't been so distracted and she in turn would not have been so distracted had it not been for the monomaniacal efforts of the Pox Mother to get her sweet little Patient Zero aboard whichever hapless flight she was intent on.

Perhaps I do the Pox Mother a disservice. Perhaps she absolutely had to get little Jack on the plane to see an ailing granny, or to get that vital bone marrow transplant he needs in Sweden. But if he didn't, if it was just for a bloody week by the pool in bloody Spain, then you owe me, lady, you owe me a fistful of hair.

* * *

Or maybe this is just how all accidents occur, if we but took the time to analyse how they came about. Where I see cosmic malevolence and catastrophic butterfly effects, there may simply be random chance and the rubbishness of humans. You decide.

Friday, 14 August 2015

The Chocolate Ocelot's 2015 Fringe: Day Six

Thursday 13th August 2015


Right, time to bring this bitch of a blog to heel. Let's see if I can do this one in under 30 minutes.

09:37
Go.

Now That's What I Call Stand-Up #2

Blind Poet, West Nicholson Street

Shit. Fringe website still loading. My speedblog falters at the very first hurdle. C'mon you toss- ah. There.

The Blind Poet and The Counting House next door are the heart of the Free Fringe. This is our first visit there this year. We manage to miss CJ's set - not on purpose, honest! - but do catch MC Gary 'from Harlow' Shaw introducing Harry U Eldritch.

The well-dressed Harry looks and sounds a little like Will Self in a skinny suit. His material's pretty full-on; he was notably followed out of the late night Wrong Comedy gig earlier in the week by irate fellows incensed by his Jesus/gay material. We joined him, Gary and the others for a cuppa at the Mosque Kitchen afterwards and he seemed perfectly human though. Certainly not worthy of beating up for making a joke.

09:45 shit shit shit.

Comics


Went in to the notorious Dead Head Comics, now just two doors down from the Poet. Bought nothing as it doesn't really seem to sell new comics, just back issues and selected collections. Same misanthrope is running the place though.

Food


CJ and I ate jam doughnuts for lunch. I only wanted one, honest. But Herlelf had ducked into a Sainsbury's on the walk into town... and you can guess the rest.


09:47
Better. Go go go

Deborah Frances-White: Friend of A Friend Of Dorothy


Blind Poet, West Nicholson Street

The other reason for me hanging around the Blind Poet was to see the lady who devised Voices in Your Head (reviewed the last two years). This year I'm trying to catch her stand-up, about her relationship with gay men.

Like many acts here, she first asks the audience who came here as a result of flyering. Not many. Which is the usual answer in my experience. Sadly I don't get the chance to show just how very Planned Months In Advance my booking of her show was.

Given the subject matter, he does a quick straw poll of the audience to see who's L, who's G, who's B and who's T. I am a two-fer. Yay me. Usually I keep schtumm but I figure this is a safe environment, and indeed it is.

09:52
failure imminent, failure imminent

Now, I have just half an hour between the end of the D F-W gig and that start of the Hancock show all the way across town at the Assembly Rooms. D F-W overruns horribly; a faulty clock behind the bar the cause, and ultimately of me injuring myself in The Ocelot's Mad Dash thereafter.

More on this law of unintended consequences in another blog. Suffice to say I now have some interesting indentations on my palms (stop that) where I violently interfaced with the pavement outside the Pleasance Dome.


The Missing Hancocks: Live In Edinburgh! (Show A)

Assembly Rooms, George Street

Apparently they found the scripts for four long-lost episodes of Hancock's Half-Hour. This show recreates two of them on stage, as if it were the original live recording. We get there just in time (see above) to see The Winter Holiday and New Year Resolutions.

09:58.
Dire warning team...

Kevin McNally is a spot-on Hancock, as is Robin Sebastian as Kenneth Williams (appropriately milking his part for the audience), Susy Kane as Andree Melly (perfectly capturing that bizarre cut-glass heroine voice you only hear from Hancock's Andree or Paul Temple's Steve), and Alex Lowe does a cracking Bill Kerr. Simon Greenall (him off of I'm Alan Partridge) isn't a very good Sid James though - when everyone else in the cast is spot-on vocally, he is merely passable. Even Herself does a better Sid-laugh than him.


The Gin Chronicles

artSpace @ St Mark's, Castle Terrace

10:07
FAIL FAIL FAIL FAIL
Tch. Ah well. Might as well finish now.

Clearly inspired by the excellent Fitzrovia Radio Hour, capturing the golden era of British radio drama, this is an entertaining pastiche of a 1940s serial, with a small cast (the Misfits of London) appropriately clad in formal wear covering all the roles.

Luke Lamont as Hugbacon - the chap on the foley (sound effects) desk - does a cracking job throughout, and I rather liked Helen Foster as go-getting housemaid Doris Golightly, capturing that peculiar 'classically trained actress tries to do working class' accent that you used to hear on 1940s and 1950s drama. Find that black and white Catherine Tate spoof on Life On Mars to see what I mean.

A jolly good show.

Oh, I should also mention that it's held in an actual working church! St Mark's is a Unitarian church staffed by very nice people who have been at the forefront of LGBT rights, same-sex marriage and so forth for years. Well done them.


Tea and Cakes


Honourable mention here to Madamoiselle Macaron on Grindlay Street, where we killed a pleasant 20 minutes before the Gin Chronicles. Herself and I reclined on chaises longues, sipping hot beverages and nibbling tiny wee meringuey things called macarons. I tried to read a bit of the first Harry Potter book which had been translated into French. I think Ron's pet rat Scabber's name in French is Croutard, which I guess translates as Crusty.


Festival Folk at the Oak

The Royal Oak, Infirmary Street

Time to catch some folk music in the Wee Room (and it is very wee) downstairs at the Royal Oak. As ever, it is pot luck who you see on any given night, as we book long before the performers are announced. Tonight it is husband and wife Carol and Alan Prior, she with guitar, he with a nice kinda-Josef Locke voice.

It's very nice as far as it goes, but this particular sort of folk is not entirely my cuppa, being a bit slow and wistful, not having any jolly twiddly dee dee fiddle and being largely sung in near-impenetrable Rabbie Burns Scots - a pidgin tongue I swear was invented and maintained purely to baffle the English.

An honourable mention to the lady who came on first to do a couple of songs. One of her own, about the local No. 37 bus, was very good, and funny. The locals seemed to know it and were all singing along.

We nip out at half time for our next show...


The Alternative Comedy Memorial Society

Heroes @ the Hive, Niddry Street

Finally get to see this after a couple of years trying to find the time.

Brilliant.

Hosted by John-Luke Roberts and Thom Tuck, there's something of the Vic & Bob's Big Night Out about it, with the permitted heckles ('I drew you a cat!' 'A noble failure!') and the air of manic glee with which the hosts cavort around, especially Tuck with his table tennis paddles of grammar (don't ask), looking like David Mitchell playing the Penguin.

Lots of good bonkers acts on show here, including the Hoover Woman (Mary Godden) and weird guru Dan Lees, but for my money, the prize has to go to the young man who did a straight 15-minute monologue before the show properly started, rambling on about growing up in his village, with its kite festival and haystacks. His name is apparently Jos Norris, but that could just be the character. I'll try to find him and post a link here.

It's Joz Norris. Thanks to Matt Langley for that.

Oh, and a surprise final-minute rant from supposedly retired-from-comedy Robin Ince at the end. Always a pleasure to see him hunched over and shouting.

Fin

Bed.

Sunday, 3 August 2014

The Chocolate Ocelot's 2014 Fringe - Day One

Hello! How are you? You alright? No, yeah, I'm good. Been up to much? Yeah? Cool, cool. Anyway, back on me.

Greetings once again from Edinburgh, the Athens of the North, where thousands of performers and tens of thousands of punters from all over the world have gathered for the annual Fringe festival. For the month of August the city's conference centres, student union buildings and back rooms of pubs are transformed into venues for comedy, theatre, music and all sorts of other entertaining activities, as well as expressive dance installations.

That's enough of the bollocksy scene-setting. If you want that sort of idiot's guide you can tune in (though who tunes in these days?) to a late night BBC2 arts show with that long-faced Scottish woman (I'm going to assume she's a Kirsty). Suffice to say, Herself and I are again staying here for a week, cramming in as many shows as we can, with the usual mix of shows big and small, good and 'brave'.

And as before, I've stupidly committed myself to writing our adventures up every day, devoting a couple of hours each morning sitting on the bed with my laptop trying to give you an informative but entertaining, nay infotaining (enterformative sounds vaguely invasive) picture of life at the Fringe and shows and performers we've seen. In years gone by, I've spent far too long each day on this task, painfully adding in links to production websites, fact-checking performer names and scrupulously going over each comment for inadvertent (and sometimes just maliciously vertent) slurs, to avoid needless cruelty. This has proven (rhymes with woven, like the legal term, though it might be just proved. Oh, whatever) in the past to be a massive drain on my time and strain on my lower back (I'm hunched over my laptop on the bed), so for this year, I'm just going to bang out a few observations and knee-jerk reactions on the spot, then frantically rewrite the bugger later on and hope nobody notices. It will also be riddled with typos, I can promise you.

A quick note on our party this year: where once we were two, we are now three. We are joined by up and coming comedy performer person CJ Hooper; the Huggy to our Starsky and Hutch, the Barbara to our Bruce and Dick, the Poochie to our Itchy and Scratchy. He'll be doing various slots around the festival during our stay, affording us an exciting insight into the world of the jobbing stand-up cum musical impro poet type person on the Free Fringe. As and when, I'll be putting in a link to his side of the story here like a comedy version of Rashomon.

And as ever we'll be catching up with our fellow Fringers Dr Foot and his heterosexual Fringemate Mitch, playing phone-tag and comparing notes on shows.

Enough with the intros; on with the reviews.

Ah, no, not quite just yet. A short word on the Fringers' Survival Kit. This year, our levels of obsessive preparedness have been honed to an even greater degree. Once again we have the t-shirts printed with our timetable of shows, and handy laminated quick reference cards dangling stylishly (though with distressingly sharp corners) from our waistbands. But this year I have added an invaluable extra item to the kit: a daily map of the city with arrows directing us from venue to venue, stored with a sturdy tube in my backpack. You can imagine the envious stares of others as they stand in the middle of Chambers Street unable to remember where Venue 45 is amongst the cramped map covered in tiny numbers on the back page of the official Fringe programme (which, I might add, has rubbishly incomplete grid references around the edge. Unlike mine, which is better). Oh, and we also have laminated ID badges on lanyards bearing the word PUNTER (Herself) and BLOGGER (me). We are quite the sight.

Ok now, now, on with the reviews.



Casting the Runes
Theatre
Box Tale Soup
The Space on the Mile

Two person (and one big spooky puppet) adaptation of the MR James classic (and not one of his rubbish, disappointing vaguely scary ghost stories). The one with the bloke who gets cursed by a black magician with the magic slip of paper and (in the fillum) the excellent monster at the end. Minimal props (a door, some suitcases, some papers), stylised costumes with 

(Sorry, brief pause there to stretch the legs - been sitting cross-legged on the bed for too long. Ow.)

strips of text sewn in, and some music. Excellent acting from both performers, and very effective puppet work of the terrifying man-size Karswell in his black trilby and piercing blue eyes. His expression did remind me of the disapproving Sam the Eagle. The scene shifts were accompanied by odd little song and percussion numbers which felt slightly out of the genre, almost folky, but that's a minor thing. Oh, and there's some clever little bits of stage magic; sleight of hand and trick props like a spooky drawing of a dark figure menacing the hero and a door handle moving on its own. It's all jolly good stuff.



Bond!
Theatre
Company Gavin Robertson
Zoo

Unofficial parody of James Bond by the excellent Gavin Robertson. Another of his one-man shows spoofing a well-loved genre, following on from his hits like Thunderbirds FAB, Fantastical Voyage (my favourite) and Spittoon. His skills at mime remain undiminished, needing only three simple metal door frames as props to create an office, a motorcycle and the classic 'Bond shoots the screen' shot. His spoof of an archetypal musical Bond title sequence, with ladies dancing provocatively and guns going off, is spot on, synching his choreography to the music perfectly. You could argue that the plot is a bit patchy here and there and the laughs a little thin, but this is affectionate pastiche perhaps, rather than outright parody. There are rather too many shower scenes (though he does do a good lady in shower) and a couple of bits like the matchbox car chase could be much shorter but I always have time for Mr Robertson's physical work - nobody else can mime a villain picking his way through a web of lasers quite like him.



The Merchant of Venice - In Space!
Theatre
Walsall Dramaturge Collective
The Frooty Goose

It wouldn't be the Fringe without several lazy Shakespeare reskins, and this production sadly fits the bill perfectly. Transplanting the action from 16th century Italy to the terraformed asteroid Venice-3 in the year 2169, and decking the cast out in cheap shiny 'spacesuits', is little substitute for witty dialogue and crisp acting, both of which are missing from this comedy-cum-tragedy.

And the casting of Shylock as a money-grubbing Ferengi is both anti-Semitic and an insult to those two greats of theatre - Shakespeare and Roddenberry. Avoid.



One Dissection
Music
Some guys who didn't turn up
C Nova

Well. We sat patiently in one of the C venues (one of the multi-level rotunda buildings that Edinburgh seems to have an embarrassment of) for a good 15 minutes past the start time of the medical a capella group before summoning the nerve to ask an official person (i.e. a student in a C t-shirt and headset) if we'd missed the show. No, they said, it's been cancelled. Why, asks I. They just didn't show up, says the official person. 

Well. And tch. You just can't rely on singing doctors these days. Honestly. I like to think they had a medical emergency which required a close harmony rendition of Life on Mars.



On the plus side, the Fringe office were already on the case and refunded our tickets without me even having to ask. I got a nice email and phone message from a nice (I'm assuming she's nice. She gave me my money back, which is nice in my book) woman called Katie.

Also on the plusser side, this gave us a chance to catch up with CJ 

(sorry, another break to see CJ off - he's off to do a morning podcast. It's all very showbiz)

after his first gig down at the Blind Poet, accompanied by his guitar Marjorie (who I like to think is named after the Fry and Laurie character). Over pizza and falafel at that triangular wedge of a cafe by Wee Bobby's statue, we exchange notes and convince him to come on down with us to the Gilded Balloon for our last show of the day.



Voices in your Head
Comedy
Deborah Frances-White
Gilded Balloon

Once more unto the Billiard Room dear friends, once more. Why are so many of the Gilded Balloons shows we see over the years in this room? I think it must love us. I am brave and sit us in the first row, as I've seen the show before and know that there's no unpleasant audience interaction awaiting. Or as Deborah (the Voice) herself puts it, 'I'm not going to mock you for having a job'. She actually comes out on stage this time round (last time she really was just a disembodied voice on the speaker system) and spends a good 10 minutes priming the audience with props, personal items and mass audio cues (chanting 'Mother') with which to disturb and wrong-foot tonight's participants.

As with last year, it's really good show - I'd describe it as 'directed improv'. So none of your lazy 'give us a genre, a household item and hopefully a really brilliant funny situation' requests for the audience - the Voice directs each of the four performers through little improvised scenes: a silkworm who's lived too long (Sara Pascoe), a murderous bird (Andre Vincent), a violent toothfairy (Jonny Lennard) and a woman at a nightclub (Milo McCabe). 

Herself and CJ have been appointed as proper wranglers for a brain in a jar, and CJ presents it to Mr Vincent with understated aplomb. Good brainporting. Milo McCabe has an excellent moustache and splendid 40's trousers. He looks like a younger Jean Dujardin.



And we're done for Day One.

All that remains is to shout down the phone at Dr Foot and effect a surprisingly successful rendezvous with him and Mitch in the no-man's land between the Gilded Balloon and Assembly. We swap notes (they recommend reliable standards Frank Skinner and Richard Herring), CJ spots some of his fabulous showbiz pals on the street for a chinwag, and Herself and I pass judgement on the hordes of ridiculous young ladies tottering past in vertiginous heels and several metres of naked leg. Ah, Edinburgh on a Saturday night.